Arts University Bournemouth

I present here my work during my studies

Ring Eclipse - 2024

For this production, I was the camera operator. The film was shot on an Arri Alexa Mini and I was trained to fully take advantage of it.

  • DANIEL HALLETT as Caleb

    EVA MCMANUS as Lola

    BEN CRAZE as Grandad

    NEIL MADDOCK as Uncle Henry

    CHARLIE SIBLEY as Guard/voice of N

    ALFIE BRIGSTOCKE as Radio Presenter

    JOSEPH BOWLEY as Radio Advertisement

  • writer and director MILLIE GLADDEN-WALKE

    producer MIA LINDLEY

    production coordinator ANAIS FRASER

    production assistant ELODIE FLAVIN

    executive producer THOMAS EASON

    1st assistant director NATASHA WHITE

    2nd assistant director ESME JONES

    3rd assistant director GEORGINA BOLLOM

    script supervisor ELIZABETH DOYLE

    script editor EVAN CHAPMAN

    production designer LYDIA WESTON

    art assistants SIENNA LORENZINI, SOPHIE ROBERTSON, RYDER POMERLEAU, MADDY ARTHUR, MATTHIAS ROBINS, LOREN JOHNSON, LUKE HANCOCK, TOBY FARRANT, ELLA MAINARD, MADDY RABEY, KAI POPHAM LITGOW, SERA OZTURK, MEGHAN DAY, STEPHANIE GALE

    costume designers ISABELLE MARTIN, KATIE EVANS

    costume assistant MILLIE CHALCRAFT

    make-up designer RUBY HARRIS

    make-up assistant JAZZ MCRAE-IRONSIDE, LEAH TROTT

    director of photography MATT PRIOR WATSON

    camera operator JAMES RIGBY

    1st assistant camera SAM PURBRICK

    2nd assistant camera SABRINA OMAR

    key grip ETHAN ROSS

    dit DYLAN NEWBERY

    gaffer BEN CROUCHER

    best person EVAN CHAPMAN

    sparks SKY MCINTYRE, SOPHIE MOORE, LUKE CROUCH

    sound designer/recordist JACK FISHER

    boom operator HARRY WRIGHT

    music composer DANIEL HOLLINWORTH

    editor ELIZABETH DOYLE

    1st assistant editor JENNIFER MELVILLE

    2nd assistant editor DYLAN NEWBERY

    colourist MATT PRIOR WATSON

    VFX supervisor PATRICK MACHIN, LALA LEUNG

    compositor HENRY OTTLEY, CONOR BYRNE, LALA LEUNG

    3D artist FIN HARROP, ARROW SQUIRES, ALEX FESTING, PATRICK MACHIN

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

    Special Thanks To

    Hayley Croucher, James Croucher, Mark Croucher, Galvin Doyle, Thomas Eason, Howell Evans, Alan Gladden, Lisa Gladden, Eileen Godin, Roy Godin, Nelson Hargraves, Janine Hollinworth, Martin Hollinworth, Alexander Lindley, James Lindley, Lisa Lindley, Hussain Maroofi, Brian Martin, Stephen Meredith, Chris Mills, Dj O'regan, Mavis Parker, Matthew Ryder, Chris Sinclair, Claire Sinclair, Andrew Watson, Craig Watson, Sarah Watson, Steve Weston, Ellen Winter, Tarmac Blashford sand and gravel quarry and James Movies
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Moving Margins - 2024

For this documentary, I was the Gaffer.

  • Featuring Gary Krishna

    Supported By - Charlie, Gail, Debbie, Emily, Geoff, JO, Malcolm, Darren, Francesca, Mark

  • Directed by Esmée Goward

    Producer - Natasha White

    1st Assistant Director - Jack Oakes

    Director of Photography - Grace Murray

    Gaffer - James Rigby

    Cam Operator - Luca Green

    1st Assistant Camera - Luca Green

    2nd Assistant Camera - George Amos

    Best Boy - Samuel Crumpler

    Camera Trainee - Ruben Twomey

    Sound Recordists - Abe Gallagher, Orion Sparks, Jay Deegan, Jack Fisher

    Editors - Millie Jones, Olivia Sharpe

    Assistant Editor - Will Mackenzie

    Script Supervisor - Olivia Sharpe

    DIT - Millie Jones

    Colour Grader - Millie Jones

    Sound Design - Olivia Sharpe, Esmée Goward

    Behind the scenes Photography - Dan Bowhay

    Music composer - Haydon Anderson

    Associate Producers - Jack Jones, Elizabeth Murray, Katherine Tyrrell, Ines White

    Drivers - Jay Deegan, Marcus Gerrard, Fraser Jacobs, Abi Jones, Matthew Walter, Lydia Weston

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

    Special Thanks To - The Outsiders Project The Old School House, lan Tyrrell, All our Donators

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Time Ago - 2023

For this production, I was a key grip where I assisted with dolly shots, supported the camera operator, and maintained strong communication with the first AC.

  • Idris - Ade Femzo

    Sally - Lola Adaja

    Zainab - Kemi Adekoya-Lofinmakin

  • Writer/Director - Ibrahim Bangura

    Producer - Akira Shambrook

    Co-Producer - Peter Katusak

    First Assistant Director - Michael J Dewsnap

    Second Assistant Director - Freya Newland

    Casting Director - Nona Valkova

    Script Supervisor - Shivam Pota

    Production Designer - Daisy Brookes

    Art Assistant - Hannah Alack McKay

    Costume Supervisor - Elizabeth Marriot

    Makeup Designer - Holly Winson

    Makeup Assistant - Chloe McDonald

    Director of Photography - Martial Kacou

    Camera Operator - Vlad Andrei Catoiu

    First AC - Solar Buckler Weerdmeester

    Second AC - Maya El Sayed

    Camera Trainee - Tiger Omar-Ali Young

    Key Grip - James Rigby

    Gaffer - Samuel Savage

    Best Person - Katie Hancock

    Spark - Sky McIntyre

    Spark - Jake Kettyles

    Sound Mixer/ Designer - Joe Charlton

    Boom Op - Joe Charlton

    Boom Op/Assistant - Robert Morosan

    Editor - Molly Facey

    Assistant Editor - Finton Hannan

    Second Assistant Editor - Lorcan Harley

    Colourist/Grader - Scarlett Pivaro Monaghan

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

    With Thanks to - Lauren Baker, Ewan Sharp, Wall Street Mafia

A group of people gathered outdoors around a blue car, smiling and celebrating, some holding cups and clapping, on a cloudy day with leafless trees in the background, likely on a film or photo shoot set.
Two men in hooded jackets, one in a blue hoodie with a red jacket and the other in a black hoodie with a reflective vest, standing outdoors next to a blue vehicle with an open trunk, with a person in red inside the trunk, and trees in the background.
Group of five young people standing outside, engaged in conversation, smiling, and chatting near a brick wall.
Three young men operating video camera equipment outdoors near a brick building, smiling and engaging with each other.
Three people involved in filming outdoors during autumn. One person operates a professional camera on a tripod, while another person adjusts settings, and the third person stands beside the camera, looking down, dressed in a red and orange patterned jacket and a red bucket hat.
Two young men smiling at a film crew setup outside a brick house on a residential street. One wears a camo jacket with police patches, the other wears a black jacket and beanie, holding a paper cup.
Two young men taking a selfie surrounded by filming equipment, with several other people in the background at an indoor event.
Open van trunk filled with various supplies, including buckets, cables, and equipment for work or maintenance.
People setting up equipment next to a van at night, with bright light illuminating the scene and various gear around.
Behind the scenes of a crash test being conducted on a blue car, with crew members, equipment, and a photographer in an outdoor parking lot.
Film or video production crew filming a blue Suzuki car with various equipment, crew members, and wires in a parking lot outside a commercial building.
New cut coming soon

Artificial Artist - 2023

As the cinematographer of this project, I mastered the art of creating a black void and other diverse lighting techniques. Its unique blend of fiction and documentary made the script exceptionally challenging.

  • Starring - Madeleine Lawrence, Evangeline Willatts

  • Director - Templar Burrows

    Producer - Georgia Clarke

    Co-producers - Katie Brown, Miles Kamaria

    First Assistant Director - Natasha White

    Director of Photography - James Rigby

    Gaffer - Ty Kohtz

    Spark - Grace Murray

    Editor - James Bryden

    Sound - Jay Deegan

    Production Design - Em Snow

    Camera operators - Katie Hancock, Alvin Jai Alias

    First AC - Sam Howell

    Grade - Millie Jones

    DiT/Assistant Editor - Ned Allen

    Script Supervisor - Sophie Campbell

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

Stills

A person with long, curly hair, wearing a dark blazer, sits at a table with a coffee cup, reading a clipboard, seen on a monitor in a studio setting with dark background.
A man with long curly hair and a beard, wearing a gray jacket, sitting at a table with a clipboard, holding a pen, and looking directly at the camera with a serious expression, in a dark background with a blue light source on the left.
A digital camera on a tripod captures a young woman with short curly hair and glasses, sitting at a table, holding a cigarette.

Behind the scenes

A computer monitor on a stand displays a scene with a young person wearing glasses and a gray plaid shirt, sitting at a desk against a blue background.
Studio setup with people preparing for a filming or photo shoot, surrounded by professional lighting and equipment.
Group of four people on a film set, with one person operating a camera, and others looking on, in a dark setting.
People on a stage in a recording studio practicing or preparing for a performance, with microphones and music equipment.
Empty theater stage with black curtains and stage equipment, including cases, a ladder, a yellow bucket, and a person working behind the curtains.
People working on a film or photo shoot behind the scenes, with lighting equipment and a camera visible.
A behind-the-scenes view of a video or photo shoot with a camera focused on a young man standing at a microphone, and a young woman sitting at a table, with filming crew members visible in a dark studio.
A camera's LCD screen shows a photo of a person, with a blue stage light in the background, in a dimly lit studio or stage setting.

The Angel - 2023

I took on the role of the cinematographer for this university production. Fantastic learning experience and an interesting challenge working with film. We shot on Kodak Super 16mm 500T film.

  • Starring - Anne Faraday, Allegra Cranston

  • Director - Molly Hoque

    Producer - Anna Griesshammer

    First Assistant Director - Natasha White

    Second Assistant Director - Anna Griesshammer

    Director of Photography - James Rigby

    Camera Operator - Katie Hancock

    First AC -Alfie Brigstocke

    Second AC - Maya El Sayed

    Gaffer - Noah Reynders

    Best Person - Tai Bratcher

    Sound - Will Marshall

    Script Supervisor - Templar Burrows

    Production Design - Ella Mainard

    Art Director - Madi Popal

    Art Assistant - Lydia Weston

    Make-Up Artist - Phoebe Le Tocq

    Editor - Liz Doyle

    Grade - Xavier Batir

    Grip - Mia Patterson

    Spark - Pearl Thomas Bocking

    Grip, Runner, Spark – Sam Purbrick

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

Stills

A woman with dark hair, wearing a black spaghetti strap top, sitting in a dimly lit room with vintage decor, her eyes closed and hand near her face, with a flower arrangement, a piano, and a white desk lamp in the background.
Teen girl sitting at a vanity table, looking into a large mirror decorated with angel wings, photos, and notes, in a green-walled room.
A woman with dark red hair and makeup, wearing green lingerie, sits in a dressing room with red and floral curtains, holding a beige garment.

Behind the scenes

Two young men standing indoors, one showing a flip phone to the other. The man on the left has light brown hair and is wearing a shiny blue puffer jacket. The man on the right has curly light brown hair and is wearing a black Patagonia jacket, with one hand in his pocket. The room has warm lighting, a decorative mirror, and patterned curtains in the background.
People in a room with red walls, some of whom are looking at papers while others work with a camera and equipment, suggesting a film or photography set.
Two women in a dimly lit room, one with short hair and a black jacket, the other with glasses and shoulder-length hair, engaged in a conversation or activity near a camera or filming equipment.
Group of people gathered closely together in a cozy, dimly lit room with red walls, warm lighting, and vintage decor, possibly participating in a music or film production.
Three filmmakers on set examining a camera, two men and one woman, in a dimly lit indoor location.
Two women engaging in conversation in a warmly lit room with red walls. One woman is standing on a piano, gesturing with her hands, while the other woman listens holding a script or papers. The background features framed pictures, trophies, and magazines, creating a cozy, vintage atmosphere.

Poster Boy - 2022

I worked as the cinematographer for this project, where I finessed my skills in terms of lighting, and learned how important it is to work with a good location.

  • Starring - Kate Maryon, David Isherwood

    Extras - Hannah Alack Mckay, Keely Jones, Miruna Baban, Zuzanna Parzewska, Alice Danieell, Charlie Harrison, Ourania Sevastaki, Corron Harley, Joshua Leech, Trae Walsh, Goob Kearsly, Cerys Jones

  • Writer/Director - Tai Bratcher

    Producer - Is Hugh

    First Assistant Director - Emily Bailey

    Cinematographer - James Rigby

    Gaffer - Casper Griffin

    Production Designer - Jalissa Letch

    Sound - Matthew Walter

    Editor - Fraser Jacobs

    Art Director - Miruna Baban

    1AC - Charlie Harrison

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

    Special Thanks to Zephyr & Atlas

Stills

Close-up of a person's hand holding a black pen, writing on a surface in a dimly lit environment.
Behind the scenes of a film or TV show being made at a bar or lounge with neon signs, including a Coca-Cola sign and a ZEP sign, with crew members setting up equipment and actors sitting at tables.
A young woman with long red hair sitting on a red leather booth, illuminated by red lighting, with a wooden wall behind her and a smartphone on a tripod in front of her.
A close-up of a woman's face with intense expression, lit with blue and purple lighting, looking down.
A woman stands in front of a wall covered with yellow sticky notes and photos, with some notes on a glass case, in a dimly lit room.
A man sitting at a bar with his back to the camera, wearing a black leather jacket, with dim red lighting, bottles of alcohol on shelves, and a bartender working behind the counter.
Close-up of a woman's face illuminated by red lighting, with one eye in shadow and the other partially visible.
Close-up side profile of smiling person in dark setting, illuminated by faint purple-blue light.
Close-up of a person's face, showing the lower half, with warm bokeh lights in the background at night.
A young man with short hair in a dimly lit room, with a blue light illuminating his face from above.
Close-up of a woman with makeup, slightly wet face, looking intently at someone, with blue and purple lighting highlighting her features.

Behind the scenes

People filming a scene through a glass window during a recording session, with a camera operator and crew members in a studio.
Group of people in a dimly lit indoor space, some standing in line, with one person pointing, a person in the back holding a tray of food, and a person in distress or surprised. The setting appears to be a bar or music venue.
Two young men working on equipment at a bar with a large illuminated sign that reads 'ZEPHYR' in the background.
Inside a dimly lit bar with people. A person is at the bar, and there are posters advertising live music. A bright neon sign is on the wall behind the bar, and a cameraman is filming the scene.

God Save The Bean - 2022

As the gaffer on this film, I faced a particularly demanding task of controlling and shaping light in an outdoor setting.

  • Starring - Lily Skeggs, James Smith

    Extras - James Rigby, Holly Sharman

  • Writer/Director - Sam Wells

    Producer - Holly Sharman

    First Assistant Director - Miles Kamaria

    Cinematographer - Luke Ketteringham

    Gaffer - James Rigby

    Production Designer - Lucy Wilkins

    Sound - Esmee Goward

    Editor - Tiago Ruas

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

Stills

A hand placing pink flowers on a freshly dug grave with a gray tombstone that has the word 'BEAN' and the phrase 'ALIVE HE HOPPED HE DIED' carved into it, surrounded by small stones.
A couple sitting on a red bench in a lush garden surrounded by green plants and trees, with sunlight filtering through the foliage.
A young man in a suit holding a shovel and a young woman in a pink dress looking at her phone in a park with trees.

Behind the scenes

Group of young people filming a memorial site with a tombstone surrounded by small stones in a wooded area. Several people are holding equipment, while a young woman in a pink dress and a young man in a black suit stand nearby, holding flowers. The scene appears to be part of a film or video shoot.
Photographer in a park setting with lush green trees and a grassy pathway, capturing a scene with people in the distance.
Four young men standing outdoors in a wooded area, wearing reflective safety vests. One is giving a thumbs-up, one is holding a phone to his ear, and the youngest has his hand in his pocket. There is a person's hand with a thumb up in the foreground.
People holding hands in a ring in a green outdoor area with trees, including some in the background and on the right side.
Two young adults with sunglasses, one sticking out tongue, outdoors in a green park with trees and bushes.

Waiting Room

2022

I worked as the gaffer for this film, I held the responsibility of overseeing the lighting throughout the entire film.

This film has made over 60 thousand views on YouTube.

  • Starring - Jada A. Bodden, Lucy Rush, Leah Griffiths

  • Writer/Director - Orlaith Oates

    First Assistant Director - Ben Croucher

    Producer - Georgia Clarke

    Cinematographer - Will Brown

    Gaffer - James Rigby

    Sound - Arno Du

    Production Design - Hannah Alack Mckay

    Editor - Finlay Miller

    Makeup Artists - Cami Buisson & Phoebe Le Tocq

    Featuring Art by Cami Buisson

  • Production - Arts University Bournemouth

    Location - Bournemouth, England

Stills

Two people sitting on chairs, drinking from green cups, in a room with wooden walls and indoor plants.
Two women sit on chairs in a waiting room of a dental clinic, while a woman with blond hair stands at the wall with a piece of art.
A woman with curly hair wearing a black leather jacket looking to the side indoors.

Behind the scenes

Two young men in a room with large windows, one wearing headphones and holding a microphone, the other with surprised expression. They are posing for a selfie during a recording or filming session.
A video production crew filming two women seated in a room with beige carpet, white walls, and fluorescent lighting. One woman has curly hair and is wearing a gray outfit, holding a cup. The other woman has long dark hair, is dressed in black, and is sitting with her legs crossed.
Young man setting up camera equipment indoors, with a white wall behind him, some framed pictures, a clock, and a small table with magazines and a potted plant.
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